导演：杰森·摩尔,大卫·卡弗里
地区：洪都拉斯
类型：音乐剧
语言：闽南语
年份：2017
更新：2024-05-21 17:50:11
皮克斯的第四部长片平行空间和穿越梦境的概念奇特猫之报恩符合儿童的思维方式在两个世界进进出出时有一些故事讲述上的硬伤除了一对拍档式的主要角色外其余的人物都不够有趣背景设定、出场都比较草率
后半部分要好relate的多 viv洗澡 两人的前戏很亲密 cay追在后面让我想到了8
bell hooks, "ethnographic gaze", "an outsider looking in", "does not oppose the way hegemonic whiteness 'represents' blackness but rather assumes an imperial overseeing position that is in no way progressive or counterhegemonic." Judith Butler, "camera itself is empowered as phallic instrument", "the vehicle through which the transubstantiation occurs", "an instrument and effect of lesbian desire", "to enter into a logic of fetishization which installs the ambivalence of that 'performance" as related to our own." 但说实话自己观影时没觉得这部的gaze有多problematic/patronizing猫之报恩可能因为我本身就是一个凝视这个群体的外人
and i find it kind of funny i find it kind of sad. the dreams in which i'm dying are the best i've ever had. i find it hard to tell you cos
初中看的猫之报恩现在评论感到有些力不从心等再看了后评论吧
